
“Chopin Anew” by Jan Nyka. This image is amusingly appropriate in the context of EVP, don’t you think?
http://www.jannyka.com/index.php?/commercial/people/
At the beginning of the ASCS conference, Suzanne Giesemann gave a charming, inspiring, but no-nonsense talk about her development as a medium, which included stories about striking synchronicities— and another slew of them for me. Here she outlines her journey from hard-nosed Navy commander to professional mystic: https://www.suzannegiesemann.com/about-suzanne-2/
I want to tell you about an enlightening anecdote from Suzanne. One day, during her meditations, she received a visit from an entity who called himself Odin. Ohhhkkaaayyyy, she thought. She didn’t remember much about Norse mythology, so she went off and read up about him. What she found was a whole package of synchronistic threads that connected with people close to her, having to do with lightning and runes in particular. The next time she encountered Odin, she blurted out, “Are you real?”
“I am as real as you are,” he replied.
“But you’re a myth!” Suzanne insisted.
“You’re a myth!” was the answer to that. The idea was that all personalities, human and otherwise, bubble up from the substrate of the universal mind, and all are pretty much the same in essence, and all equally real or unreal, depending on how you look at it. That’s about as close as I can get to explaining my experiences with such eminences as Kuan Yin or Medicine Buddha.
And as close as I can get to explaining the following.
As I described last time, I was putting a lot of effort into listening during October, and something began to happen that interfered mightily with that. At first mildly, then catastrophically, I developed a case of constant high-pitched tinnitus. By the last week of the month, it had taken over my life and I could hardly think of anything else.
I suspected that the new problem might have something to do with my trip to the conference, either the work with the spirits, the flight, the drastic changes of altitude and humidity, or all of the above. I’d also had a slight virus sort of thing right after the trip. I started looking for help to sort it out. That’s when things got even weirder.
I began with a remote polarity treatment from the person who had helped me with issues like this before. My therapist encountered a crowd of beings around me who seemed to all be trying to talk to me at once, and she thought that was creating the ringing in my ears. She came up with a strategy for communicating with them one at a time in a controlled way that would limit any trouble. Sigh… I’ve had all too many issues over the years with entities knocking hard on my doors… but I guess it’s an occupational hazard. And it has led in fruitful directions at times.
For a while after that session, the sound in my ears died down a bit. The theory about these critters being the main cause of the tinnitus doesn’t seem to have panned out in the time since then, but they were most definitely present and they needed to be dealt with. I cautiously set about making their acquaintance, just a few of them. They were very accessible, and seemed enthusiastic and positive about communicating with me. One gave me a warm hug. Another— I’m grateful for this— reached into my head and tweaked my eyes so that colors became dramatically brighter and for quite a while the usual dryness was gone. Perhaps more ominously, another asked why I was bothered by the ringing, since they were “tuning me” and I ought to be happy about it.
I didn’t detect anything untoward, but I wasn’t comfortable with having anyone trying to control me or use me for their own agenda, especially without my conscious understanding and consent. I made an appointment with my psychic mentor, Mendy Lou Blackburn, who is always the person I turn to when matters like this get beyond my abilities. When I went to bed, I asked Fryderyk what he thought was going on, and he had something to say about it, but in the morning I couldn’t remember what it had been.
Mendy Lou and I looked extensively at the whole situation and tried to figure out how these entities fit in. They didn’t seem connected with the Big Circle, the group Vicki and friends work with. Mendy could see them clearly, as a sort of vortex containing multiple small lights. They appeared to her to be a mix of beings of different levels of development. When she used the term elementals, I remembered that Fryderyk had said the same thing the night before.
At one point I looked around for my link to the Big Circle, for comparison, and instantly Braden popped into the room in a burst of light, so Mendy Lou got to meet him and get a sense of his fun-loving personality. It was comforting to have him show up. Fryderyk also made himself known, but he stayed in the background.
So there I was with an unwanted “fan club” and still an intolerable level of constant noise. I went to the office and put my questions aside for the time being. By the next day, with the ringing still driving me nuts, I felt I couldn’t stretch my stressed and irritated self far enough to deal with the mysterious entities anymore. Apologizing, in case they were sincerely there for my good, I wrapped them up in a sort of package and pushed them out of my field. I just didn’t know what else to do at that point. Since then I haven’t heard anything further from them.
I told Vicki about all this, and she confirmed that Braden and company were not involved and didn’t know who these beings were either. The Big Circle folk told her to let me know that I was “climbing Jacob’s ladder” and all was well. All the sources seemed to agree that I was somehow being changed to be able to perceive more, and that I should be patient with the process. I felt a little bit better.
The process of clearing attachments and emotional junk continued with a remote treatment from James Rolwing, and Thought Field Therapy (the original version of tapping on acupressure points) with Diana Ristenpart. After that, the tinnitus changed, in quality though not volume, and became a less obnoxious type of sound so that it was more tolerable. A range of pure sine wave frequencies disappeared and I was left with an array of tiny chimes combined with cicadas. Strange how that is less bothersome!
After a lot of phone calls, I was able to get in with an audiologist and a nurse practitioner at an ENT office, and they found inflammation in my Eustachian tubes— a potential physical cause for the sound. Mercifully, my hearing tested as mostly intact, except for a small deficit at very high frequencies. I’d been terrified of having a significant hearing loss, which is often associated with tinnitus. Since I’ve always hated noise and have carefully protected my ears, this whole thing has seemed awfully unfair!
With the onset of the ringing, everything in my environment became oddly loud, subjectively, and my impression was that the effect was different from the hyperacusis that can occur with hearing loss. Sound is much more three-dimensional and multilayered, richer and more colorful, and I pay attention to it differently. Once Fryderyk told me that music is an environment in which one can move about, and I think I know vividly what he meant now.
So is a process of “tuning” still going on? Am I going to be able to hear more of what nonphysical sources want to tell me? Or am I taking a long time to get over a viral infection and a great deal of stress? All of these? I don’t know if I’ve had enough brain-space lately to be able to tell. No dramatic new openings appear to have occurred in my psychic development to match my increased awareness of physical sound. Meanwhile, treating for inflammation and taking Chinese herbs for the pattern I’m showing has helped, as far as I can tell.
I did have an unusually extensive conversation with my composer friend, though, and I’d like to think that I was showing a little more ability to hear what he wanted me to know. This happened on 11/17:
Fryderyk showed up when I was about to go to sleep, as he so often does. I reported that my tinnitus had lessened, and told him that I hoped to be able to hear him better through whatever process was going on with the changes in my ears.
I asked about his efforts to speak through direct voice, wondering why it seemed worthwhile to take so much trouble to make physical sounds rather than just talk to someone inside their head or through channeling. He replied that it is important for him to speak in actual words, not just thoughts, because words have a physical effect on the material world.
“In the beginning was the word?” I asked. His answer was something to the effect that in the beginning was a thought, then a word that shaped reality.
“How does music compare to words?” Up to that point he had been more or less directly dropping concepts into my head, despite the subject being the primacy of words, but this came out as a clear verbal message: “Music is a scaffolding on which we can build reality.” That was a striking idea that I wanted to be sure not to forget, so although I wanted to get to sleep, I dutifully grabbed my notebook and pen. Which, as it has done many times, broke the connection.
After settling back down, I was able to get back in touch with him, and we continued along the same lines. A direct-voice medium is like a radio, he told me; you tune the medium, tune yourself in, your own station. There were images of communicating with me, in contrast, being something like wandering through a cave with twists and obstructions.
I asked if things might be easier if I were a trance medium. He doesn’t like to work with them, he replied, because they can’t really give consent. Even though they’ve consented to the overall procedure, they can’t filter or respond to any of the communication. He prefers the relationship, the dialogue involved in working with someone who is aware of what’s going on.
(Regarding “Music is a scaffolding on which we can build reality,” a musician friend expressed something strikingly similar to this just a couple of days ago, even saying, “In the beginning was the word.” She said she is trying to affect the world from the inside through music and meditation lately, rather than continuing to work with political organizing and that kind of thing, as she used to. I expect that other musicians have expressed similar thoughts.)
Vicki mentioned that Braden had warned her against thinking she is communicating with any Famous Dead People, because they are likely to be impostors– although he himself had brought Fryderyk to meet his mother. For example, he said, if someone shows up who purports to be Elvis, you should run. I mentioned this to Mendy Lou, who recounted the time she not only met Elvis, but had a lengthy conversation with him, many years ago when she was working in Las Vegas. I also mentioned it to a patient who has a strong interest in these matters, and she replied that I shouldn’t be surprised if I did run into Elvis sometime, because he’s her cousin, albeit a distant one. Six degrees of separation and all that.
So when I showed up at Vicki’s presentation, and she saw a momentary flash of her friend “Fred,” she pushed the thought aside. Why in the world would someone associated with him walk into her workshop? Her boggle threshold had to be raised a bit, along with mine. The pattern that began with meeting my Famous Dead Person so many years ago seems to be building up more coherence over time, but I’m still not always certain what is being asked of me. Now I’ve been brought into the Big Circle project in some way, and telling you about it must be part of that. Otherwise, I’m awaiting further developments.
Mendy Lou Blackburn: http://mendylou.com/
James Rolwing: https://www.facebook.com/pg/PatternReleaseEnergetics/about/?ref=page_internal
Lunasol Polarity Therapy: https://daynaurora.wixsite.com/lunasol-polarity?fbclid=IwAR06LGeVHFtlqrv8ALvx0qJevC3_DcmpCGHqOxl9wVyndUDZ64cFtBcf2bU