Tag Archives: universal mind

The Dream of the Colonel

When we write fiction, where do the characters come from? I haven’t had much luck coming up with stories, but now and then characters have jumped into my head fully formed and ready to walk around quite autonomously in some imagined environment. If I try to change them they resist and can be most intransigent. I wish I were better at giving them a place to live and things to do, as these vibrant creatures deserve a chance to develop.

A couple of weeks ago my last laptop died in a catastrophic fashion, and restoring my data from online backup to a new one has eaten a lot of my life since then. It’s been nerve-racking and time- and energy-wasting, but there have been great gifts in the process. I’ve found a lot of useful stuff that had been hidden in the layers of files that accreted from one machine to the next over the past decade and a half of MacBooks.

The following account of an odd dream was among them. It was such an unusual experience that I thought you might find it interesting. Maybe it tells us something about where those characters do come from? I don’t understand how what appeared to be a fully-formed, three-dimensional real person could pop into my consciousness out of nowhere as morning was approaching, but that’s what she did.

The Dream of the Colonel, 8/24/17

I’m at some sort of office doing an interview for an article or something.  The person I am interviewing is maybe a couple of years older than I am, or maybe not.  I notice first the screamingly wrong dress she is wearing.  No one could fail to notice it.  It’s not so much the dress in itself, though it’s a wrongheaded design, a lime green too-short shift with a blue panel for the front of the bodice.  It’s that she should probably never wear a dress at all, at least not one as childish as this.  She should be wearing something more authoritative, or more practical.  I don’t have to ask to know that she’s ex-military.  In her mind she’s still wearing a uniform.

She has sandy hair, very short and parted on the left side, and dark blue eyes. She’s quite pretty in a decidedly butch way. Her toned shoulders show in the sleeveless dress. She’s thin and lanky, with wiry muscles. She seems bright and like she knows what’s going on.

The interview goes well and I apparently get the information I need, but when I wake up I don’t remember a thing about it. I just remember this woman, in so much detail that I feel I’ve met a real person. It seems like I know a lot about her. The dream ended like this:

She’s used to making quick but well-crafted decisions. She makes one now. She asks if, when all this craziness is over, she can meet me somewhere sometime. I’m taken aback. Her gaydar is so sensitive that even I have shown up on it. That’s so sweet of you! I say sincerely, but you should know I’m married. Oh, that’s happened to all of us, she replies with a chuckle. No, I’m really married, I tell her, but I’d like to get to know you. She smiles. Seems like she’s heard this stuff before.

I wake up.

I lie there processing all this, and let her tell me about herself.

She recently retired from her military career after oh my god was it really that long? She has a couple of kids, both in their 30s. They’re doing OK. Husband was also in the Air Force. He was quite a while back. He’s doing OK too, or at least he was the last time they talked— when was that? Her daughter gave her that awful dress, trying to help her transition to this weird new life.

It seemed like it would be great not to give orders, not to be in command, not to be responsible for the whole whatever. Thought she could help. This was not her best decision. The office is all right in itself and the nonprofit is useful and the people are fine but she needs to get outside. She’ll get all squishy in here. Wrong way to save the world. Maybe she should volunteer for Doctors Without Borders or something. Except she knows nothing about medicine. She’s more of a machines kind of girl. Anyway, retiring as a colonel gives her options.

Fortunately, she can type fast. The reports get done. She can go for a run at lunch.

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An Ofrenda for 10,000 Souls?

The morning of Halloween, I tried to talk with Bob, but I couldn’t get a clear signal. “Hey,” I said, “It’s Halloween, the veil is supposed to be thin. We should be able to connect.” I had the impression that he was going Ooooooooo and waggling scary fingers at me!

Día de los Muertos is my favorite holiday, and I always try to make some observation of it. I would never have imagined, a year ago, how much it would mean this time. Here is the ofrenda I made for Bob, using the photo board my daughter, her husband and I put together for his memorial.

I had intended to give him this Snoopy (he was a fan) for his birthday on March 19, but wasn’t able to get it in time from my friend who was selling it on eBay. Then I planned to give it to him for Easter. So he never got it.

See the alabaster bird on a perch in the back? And the broken one lying next to it? We bought the bird sculpture on our honeymoon, and the two birds became the symbol of our marriage. (The pair of red birds in the front left is from our anniversary last year.) When one bird got broken, Bob joked, “Do we have to get a divorce now?”

I never figured out what glue to use to fix the poor thing, and it’s been sitting in the china cabinet waiting in pieces for years. Now, the condition of the sculpture is all too poignantly appropriate.

Rituals like ofrendas are supposed to help us process our pain. I think maybe mine is being reactivated more than assuaged right now, but the observance is still worthwhile and I’m still glad to do it. The light, fun touch of this holiday, the recognition that the dead can still dance, is a wonderful reminder of the deeper reality of our existence.

But this year is far from light or fun.

I don’t know how to begin to make an altar for the thousands and thousands of needless, tragic, murderous, cruel deaths in Israel and Gaza. As I write, bombs continue to fall on children and adults alike, the elderly, the hospitalized, the disabled, it doesn’t matter. All are targets. What started with unspeakable brutality was met with hugely more of the same, because our species is like that. Victims lose their lives or limbs, while combatants lose their souls, and we are all diminished. No matter what comes next, the trauma and desire for revenge will ripple and radiate throughout humanity. And our ability to respond to the crises that threaten our entire planet will continue to be hamstrung by our obsession with conflict.

Probably by the time you read this, close to 10,000 will have died in that one small corner of the world. Then there are all those being killed, maimed and emotionally devastated just as needlessly in Ukraine, Sudan, and elsewhere. We are all human and therefore both all responsible and all affected, because we are truly, fundamentally all one.

And within that oneness, each of us is uniquely precious and irreplaceable. It keeps striking me that each of those thousands of losses is just as painful to someone as the loss of my husband is to me. Far more so, I should say, because Bob’s death was a natural occurrence that was no one’s fault, not a murder perpetrated by some blind evil.

Our minds balk at understanding mass tragedies; we go numb to those, and react far more to stories of individual suffering. But each of those thousands is an individual. Multiply personal agony by those thousands. Feel that crushing your heart. Contemplate what humans do to each other in the name of some imagined lofty principles and shrug off as merely “the cost of war.”

In these pages I’ve pointed out that dead doesn’t mean serious and that the next world isn’t a place of sadness. Today I would like you to think of the opposite aspect, the shock and damage that must be repaired when people are killed so suddenly and unjustly and at such young ages, both for themselves and those they leave behind. The damage that is done to our collective heart. Think of what we can do to calm the rage and terror within ourselves and begin to radiate something better.

Bob would endorse that. He lived it.

Once I asked Fryderyk what he thought was needed for us to save ourselves from the future that is bearing down on us. I was asking about climate specifically, but his message is relevant here as well: “Your love of life must become greater than your love of death.”



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Encountering Electronic Voice Phenomena in Person, Part II

“Chopin Anew” by Jan Nyka. This image is amusingly appropriate in the context of EVP, don’t you think?
http://www.jannyka.com/index.php?/commercial/people/

At the beginning of the ASCS conference, Suzanne Giesemann gave a charming, inspiring, but no-nonsense talk about her development as a medium, which included stories about striking synchronicities— and another slew of them for me. Here she outlines her journey from hard-nosed Navy commander to professional mystic: https://www.suzannegiesemann.com/about-suzanne-2/

I want to tell you about an enlightening anecdote from Suzanne. One day, during her meditations, she received a visit from an entity who called himself Odin. Ohhhkkaaayyyy, she thought. She didn’t remember much about Norse mythology, so she went off and read up about him. What she found was a whole package of synchronistic threads that connected with people close to her, having to do with lightning and runes in particular. The next time she encountered Odin, she blurted out, “Are you real?”

“I am as real as you are,” he replied.

“But you’re a myth!” Suzanne insisted.

You’re a myth!” was the answer to that.

 The idea was that all personalities, human and otherwise, bubble up from the substrate of the universal mind, and all are pretty much the same in essence, and all equally real or unreal, depending on how you look at it. That’s about as close as I can get to explaining my experiences with such eminences as Kuan Yin or Medicine Buddha.

And as close as I can get to explaining the following.

As I described last time, I was putting a lot of effort into listening during October, and something began to happen that interfered mightily with that. At first mildly, then catastrophically, I developed a case of constant high-pitched tinnitus. By the last week of the month, it had taken over my life and I could hardly think of anything else.

I suspected that the new problem might have something to do with my trip to the conference, either the work with the spirits, the flight, the drastic changes of altitude and humidity, or all of the above. I’d also had a slight virus sort of thing right after the trip. I started looking for help to sort it out. That’s when things got even weirder.

I began with a remote polarity treatment from the person who had helped me with issues like this before. My therapist encountered a crowd of beings around me who seemed to all be trying to talk to me at once, and she thought that was creating the ringing in my ears. She came up with a strategy for communicating with them one at a time in a controlled way that would limit any trouble. Sigh… I’ve had all too many issues over the years with entities knocking hard on my doors… but I guess it’s an occupational hazard.  And it has led in fruitful directions at times.

For a while after that session, the sound in my ears died down a bit. The theory about these critters being the main cause of the tinnitus doesn’t seem to have panned out in the time since then, but they were most definitely present and they needed to be dealt with. I cautiously set about making their acquaintance, just a few of them. They were very accessible, and seemed enthusiastic and positive about communicating with me. One gave me a warm hug. Another— I’m grateful for this— reached into my head and tweaked my eyes so that colors became dramatically brighter and for quite a while the usual dryness was gone. Perhaps more ominously, another asked why I was bothered by the ringing, since they were “tuning me” and I ought to be happy about it.

I didn’t detect anything untoward, but I wasn’t comfortable with having anyone trying to control me or use me for their own agenda, especially without my conscious understanding and consent. I made an appointment with my psychic mentor, Mendy Lou Blackburn, who is always the person I turn to when matters like this get beyond my abilities. When I went to bed, I asked Fryderyk what he thought was going on, and he had something to say about it, but in the morning I couldn’t remember what it had been.

Mendy Lou and I looked extensively at the whole situation and tried to figure out how these entities fit in. They didn’t seem connected with the Big Circle, the group Vicki and friends work with. Mendy could see them clearly, as a sort of vortex containing multiple small lights. They appeared to her to be a mix of beings of different levels of development. When she used the term elementals, I remembered that Fryderyk had said the same thing the night before.

At one point I looked around for my link to the Big Circle, for comparison, and instantly Braden popped into the room in a burst of light, so Mendy Lou got to meet him and get a sense of his fun-loving personality. It was comforting to have him show up. Fryderyk also made himself known, but he stayed in the background.

So there I was with an unwanted “fan club” and still an intolerable level of constant noise. I went to the office and put my questions aside for the time being. By the next day, with the ringing still driving me nuts, I felt I couldn’t stretch my stressed and irritated self far enough to deal with the mysterious entities anymore. Apologizing, in case they were sincerely there for my good, I wrapped them up in a sort of package and pushed them out of my field. I just didn’t know what else to do at that point. Since then I haven’t heard anything further from them.

I told Vicki about all this, and she confirmed that Braden and company were not involved and didn’t know who these beings were either. The Big Circle folk told her to let me know that I was “climbing Jacob’s ladder” and all was well. All the sources seemed to agree that I was somehow being changed to be able to perceive more, and that I should be patient with the process. I felt a little bit better.

The process of clearing attachments and emotional junk continued with a remote treatment from James Rolwing, and Thought Field Therapy (the original version of tapping on acupressure points) with Diana Ristenpart. After that, the tinnitus changed, in quality though not volume, and became a less obnoxious type of sound so that it was more tolerable. A range of pure sine wave frequencies disappeared and I was left with an array of tiny chimes combined with cicadas. Strange how that is less bothersome!

After a lot of phone calls, I was able to get in with an audiologist and a nurse practitioner at an ENT office, and they found inflammation in my Eustachian tubes— a potential physical cause for the sound. Mercifully, my hearing tested as mostly intact, except for a small deficit at very high frequencies. I’d been terrified of having a significant hearing loss, which is often associated with tinnitus. Since I’ve always hated noise and have carefully protected my ears, this whole thing has seemed awfully unfair!

With the onset of the ringing, everything in my environment became oddly loud, subjectively, and my impression was that the effect was different from the hyperacusis that can occur with hearing loss. Sound is much more three-dimensional and multilayered, richer and more colorful, and I pay attention to it differently. Once Fryderyk told me that music is an environment in which one can move about, and I think I know vividly what he meant now.

So is a process of “tuning” still going on? Am I going to be able to hear more of what nonphysical sources want to tell me? Or am I taking a long time to get over a viral infection and a great deal of stress? All of these? I don’t know if I’ve had enough brain-space lately to be able to tell. No dramatic new openings appear to have occurred in my psychic development to match my increased awareness of physical sound. Meanwhile, treating for inflammation and taking Chinese herbs for the pattern I’m showing has helped, as far as I can tell.

I did have an unusually extensive conversation with my composer friend, though, and I’d like to think that I was showing a little more ability to hear what he wanted me to know. This happened on 11/17:
Fryderyk showed up when I was about to go to sleep, as he so often does. I reported that my tinnitus had lessened, and told him that I hoped to be able to hear him better through whatever process was going on with the changes in my ears.

I asked about his efforts to speak through direct voice, wondering why it seemed worthwhile to take so much trouble to make physical sounds rather than just talk to someone inside their head or through channeling. He replied that it is important for him to speak in actual words, not just thoughts, because words have a physical effect on the material world.

“In the beginning was the word?” I asked. His answer was something to the effect that in the beginning was a thought, then a word that shaped reality.

“How does music compare to words?” Up to that point he had been more or less directly dropping concepts into my head, despite the subject being the primacy of words, but this came out as a clear verbal message: “Music is a scaffolding on which we can build reality.” That was a striking idea that I wanted to be sure not to forget, so although I wanted to get to sleep, I dutifully grabbed my notebook and pen. Which, as it has done many times, broke the connection.

After settling back down, I was able to get back in touch with him, and we continued along the same lines. A direct-voice medium is like a radio, he told me; you tune the medium, tune yourself in, your own station. There were images of communicating with me, in contrast, being something like wandering through a cave with twists and obstructions.

I asked if things might be easier if I were a trance medium. He doesn’t like to work with them, he replied, because they can’t really give consent. Even though they’ve consented to the overall procedure, they can’t filter or respond to any of the communication. He prefers the relationship, the dialogue involved in working with someone who is aware of what’s going on.

(Regarding “Music is a scaffolding on which we can build reality,” a musician friend expressed something strikingly similar to this just a couple of days ago, even saying, “In the beginning was the word.”  She said she is trying to affect the world from the inside through music and meditation lately, rather than continuing to work with political organizing and that kind of thing, as she used to.  I expect that other musicians have expressed similar thoughts.)

Vicki mentioned that Braden had warned her against thinking she is communicating with any Famous Dead People, because they are likely to be impostors– although he himself had brought Fryderyk to meet his mother.  For example, he said, if someone shows up who purports to be Elvis, you should run. I mentioned this to Mendy Lou, who recounted the time she not only met Elvis, but had a lengthy conversation with him, many years ago when she was working in Las Vegas. I also mentioned it to a patient who has a strong interest in these matters, and she replied that I shouldn’t be surprised if I did run into Elvis sometime, because he’s her cousin, albeit a distant one. Six degrees of separation and all that.

So when I showed up at Vicki’s presentation, and she saw a momentary flash of her friend “Fred,” she pushed the thought aside.  Why in the world would someone associated with him walk into her workshop?  Her boggle threshold had to be raised a bit, along with mine.  The pattern that began with meeting my Famous Dead Person so many years ago seems to be building up more coherence over time, but I’m still not always certain what is being asked of me.  Now I’ve been brought into the Big Circle project in some way, and telling you about it must be part of that.  Otherwise, I’m awaiting further developments.

 

Mendy Lou Blackburn:  http://mendylou.com/
James Rolwing:  https://www.facebook.com/pg/PatternReleaseEnergetics/about/?ref=page_internal
Lunasol Polarity Therapy:  https://daynaurora.wixsite.com/lunasol-polarity?fbclid=IwAR06LGeVHFtlqrv8ALvx0qJevC3_DcmpCGHqOxl9wVyndUDZ64cFtBcf2bU

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Filed under channeling, health and healing, music, mythology and metaphor, spirit communication

I Only Work in Inner Space, Part II

I jotted down the following one evening in Grants, NM, when I was staying over in order to go out to see a patient in a remote location the next day. I didn’t add the date, so I don’t know even what year it was, but it has been quite a while since I worked at that office. I’d estimate that I wrote it around 2010, while thinking about that matter of trying to explore inner space without becoming a “space case.” It came out more or less as advice to people who are starting out as intuitive healers in a world that may not even believe their work exists. I think it’s still worth sharing, so here it is, with some minor editing:

Be open to being wrong. Be open to being right.

Some new intuitives, realizing how often they turn out to be correct, might take off on a power trip of some kind. Especially when frightening or distressing material comes through, it should not be stated as an absolute fact that cannot be avoided. Don’t pretend to have all the answers to anything. And don’t impose your point of view or your system of beliefs on anyone as if it were the ultimate. Don’t judge or act self-righteous.

More often, though, the problem is that we constantly second-guess ourselves and fail to trust valid information when it comes to us. I try to maintain a healthy skepticism about ideas that come into my own head, the same as I would with ideas from any other source, constantly checking any way I can. However, the temptation to edit every thought can stop the flow and make it impossible to accomplish anything.

When I do intuitive healing with patients, I prefer to work in collaboration with the person on my table. So often, I see something that seems totally off the wall and vanishingly unlikely to me, but I screw up my courage and tell the patient about it, and it turns out to be dead on. This gives the patient an opportunity to add her own insights, and we find a path through the jungle together, tossing out ideas and testing them until we find the issues that are most fundamental and clear them. Sometimes the patient is sleeping or otherwise not amenable to joining in on this process, and in that case I can still get a lot done, but it’s all the more powerful when we work together.

My point is that I’m not in the business of proving I can divine all the answers; my job is to aid patients in their journey toward healing, not to impress them with my skills. Not that I never feel a need to prove that I can do what I do, especially with the pseudoskeptic types, but it’s crucial to let go of all such concerns if we want to get clear information.

I feel fortunate that I don’t have to identify myself as a professional psychic. If that were the case, I’d always be expected to come up with revelations of some kind, preferably earth-shattering ones. Sometimes neither I nor the patient can find profound meanings in their illnesses and injuries, and many times there’s no need to. We can just do some needles, bodywork, or herbs, and everything’s fine.

One of the things I admire about my mentor Mendy Lou Blackburn, who does identify herself as a professional psychic, is that she doesn’t tell her clients what they want to hear, unless that’s what they need to hear. It’s pretty easy to figure out what a person is hoping you’ll tell them, even without any great psychic ability. A person could probably make a lot of money just feeding comforting, flattering words to clients, but anyone who’s honest knows that would lead to no good. There is a middle way of using firmness to express hard truths without dictating to, insulting, or unnecessarily frightening the client.

I’ve been writing as if you are doing readings for other people, or planning to do so, but perhaps you intend only to gather intuitive impressions for your own development. We need to be all the more careful in reading or channeling for ourselves because we may be quite blind to our own beliefs and preconceived notions— they are so close we can’t see them clearly.

Be open to greatness.

Betsy Morgan Coffman told our beginning channeling class that we might find ourselves in contact with some very high-level being, Jesus for example, and that often people get upset and refuse to trust that this is happening. “But think about it,” she said. “Why wouldn’t Jesus want to talk to you?”

But what of the Wayne Bents of the world [Bent was an abusive cult leader who was jailed and was much in the news when I originally wrote this], the people who are sure that not only is God talking to them, He is telling them to gather followers who will treat them as His representatives on earth? Bent reported being told that he was the Messiah in so many words, if I remember correctly. I use him as an example because there is general agreement that he’s delusional. That is, he’s been less successful than some, and done more obvious harm, or at least been caught at it. But what’s the essential difference between Bent and, say, Joan of Arc? Perhaps “by their fruits” is still the best way that you will know them.

Some years ago I was part of a Noetic Sciences group that held meetings with inspirational speakers and uplifting activities. Once a young guy showed up and introduced himself, quite matter-of-factly, as the latest incarnation of some great line of spiritual teachers or world leaders, I don’t remember what exactly. This pronouncement was delivered in the same tone as if he’d told us he lived in Bernalillo or had just started college. Totally normal for him. When I looked toward him, I saw a black space in the room where he should have been. He scared the hell out of me, and I hoped he’d never come back. Nobody else had a bad feeling about him— I asked them later. I never saw him again, and I don’t know what fruits, if any, he or his message produced. Every so often I run into someone with claims along the same lines, and am not sure what to think. My own tales of my experiences with famous deceased humans and higher beings may strike someone in a similar way, so I can’t judge. I just know that that particular young man left me feeling extremely uneasy.

You probably will never receive a message that says you’re the Messiah or the incarnation of some other august figure. But never doubt that you are as deserving of enlightenment as anyone.

If, instead, a message you get tears you down, it’s probably coming from you and not Them. Source/Spirit/Higher Powers/the Divine might be applying tough love at times, not letting you get away with laziness or self-deception, but won’t belittle you or discourage your sincere efforts. They typically seem to think better of us than we do of ourselves; They see the reality of the infinite beings we truly are.

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No, I’m From New Mexico. I Only Work in Inner Space.

 

 

 

 

 

I’ve so often thought of this moment in Star Trek IV: The Voyage Home (yes, the one with the whales):

Dr. Gillian Taylor: Don’t tell me, you’re from outer space.
Admiral Kirk: No, I’m from Iowa. I only work in outer space.

I’m not sure how to clearly describe the space in which I do so much of my own work. It isn’t exactly the “normal” Earth plane, but I don’t think it’s so very far removed, either. Likely it’s a place we all visit at least some of the time.

Staying grounded while working in some of the farther reaches of what one might call inner space can be a challenge. I’ve seen some healer colleagues leave the known galaxy and never return, going so far out that they couldn’t communicate anymore and became of little use to their patients or themselves.

And where do I live when I’m not working? It often feels like I don’t quite inhabit the material world the way I once did. Yet, I make every effort to keep solidly attached to my body and to bring my experience back to consensus reality in a way that’s comprehensible to everyone here. I think of myself as a journalist who goes to exotic lands and brings back the stories.

So from time to time I am criticized for being too intellectual, not letting go of thinking long enough to really fly. I decided some years ago that this is my natural place, to translate, to be a bridge between worlds and worldviews. So far that’s the best I can do. It may limit me as a mystic and psychic, but I won’t get too severely lost this way, and I may have a better chance of telling others where I’ve been.

I only work in inner space. I don’t want to become a space case.
********************************************************************

Back in the Star Trek universe, there have been some striking new developments. At the time of the first episode of Star Trek: Discovery, last fall, I was most displeased, and didn’t see much hope for the new series. There are still a number of aspects of it that don’t work, if you ask me (Spock has an adopted sister we never knew about?  Seriously?), plus a few moments that have been just plain idiotic (everyone has panned Landry’s suicide-by-tardigrade), and I still cannot approve of this latest iteration of the Klingons! But they’ve worked their brow-ridges off on this story, and now I’m behind them all the way. OK, most of the way. All the way when it concerns their willingness to take on Big Questions in the way that Star Trek always has. What are we? Who are we, and how do we know? How do we deal with those who are different from us, and are they really so different at all? And what happens if we fall in love with our worst enemy?

[!SPOILERS FOLLOW!]

It feels like after all these years that I’ve followed Star Trek, it has now caught up to me. In this case, I was there first. The Discovery story arc, thus far, depends on a concept that I think is a lovely metaphor for the way things really are: all life throughout the universe is connected by a web of mycelia generated by a spacefaring species of fungi, and one can access this network and use it to travel anywhere and anywhen instantly. Space fungi? Sounds like something Stanisław Lem would come up with (not so different from his killer space potatoes!). And the animal they imagined as having a natural ability to traverse the network was something utterly ridiculous— a gigantic version of an actual Earth creature, the microscopic tardigrade or water bear (which to be fair has some science-fiction-like properties in real life). But the image of the network is beautiful, compelling, and evocative of the way everything in the universe really is entangled and in communication with everything else.

Although for a while I was still suspicious of the new series, I soon found myself intensely pulled into this “magic mushroom” paradigm of space travel, and I began to identify with its inventor, Paul Stamets (named for the quirky present-day mycologist). It all seemed so familiar. Why was that happening? It took me a little while to remember this:

“So I held the intention of looking at Orion, and I began to have quite a vivid vision.  First, against an image of space with stars, there was a huge burst of white light coming through what looked like a wormhole in a science-fiction movie.  I could see a round tunnel behind it, and on the other side, an equally huge, bright mass of light.  This seemed to describe where Orion was coming from.”

Oh. Kind of like:

 

 

 

 

 

“Then I felt myself flying or being pulled through the hole, and found myself on the other side, in the other universe.  I had only had the intention of looking at all this, but suddenly it was like actually being there, though I was still quite aware of the usual room around me.  I could feel tingling, like little sparks, and warmth all over my body.  As I more or less adjusted to my surroundings, I began to see the sparks as small, twinkling points of light all around me.  Somehow the points of light seemed excited and happy, as if they were glad I was there.  It felt like the entire space was filled with love and joy—and fun, a sense of lightness, as if I had walked into some wonderful celebration.  Mendy was observing all this, and she could see the same little lights and feel the sensation of love.  There was absolutely no seriousness or gravity about any of this.”
https://elenedom.wordpress.com/2010/03/17/orions-net/

(Discovery and her crew do in fact end up in another universe in the middle of the season, but their experience is far darker than mine.)

The spores are depicted as, guess what, little points of light that sometimes act as if they are conscious beings. At the end of one sequence of using the drive, one of the sparks flies with apparent intention onto the shoulder of Cadet Tilly and disappears into her body, leaving us with a mystery to look forward to in the next season. Perhaps we are meant to understand that, rather than being made of physical protoplasm like fungi on Earth, the magic mycelia exist as purely energetic beings in the mold of some other space-native creatures that have cropped up on Star Trek from time to time. That would be a bit easier to swallow, since otherwise one must explain how physical fungi could get sustenance out in the void.

Whatever sort of biology it is supposed to have, the mycelial network contains fascinating possibilities. Within it, one can communicate with others who have entered, even those who exist in alternate universes, and reconnect with the dead. Linear time seems irrelevant. For a while Stamets becomes understandably confused and unstuck in time, unmoored from the usual limited consensus reality and not yet able to find his way through the infinitely complex patterns beyond it. I found myself identifying with that too.

It’s music that allows Stamets to get oriented again, and later to bring the ship home. “Follow the music,” his deceased partner tells him, from within the mycelia. Discovery and her crew are saved by a gay man’s love of opera. Perfectly plausible, right?

As with the Star Trek: The Next Generation episode “Sub Rosa,” which I wrote about a few months ago, I began to wonder whether someone had seen what I had seen, and had packaged it as science fiction to make it more acceptable. Or maybe these ideas have shown up because there are truths that we all know about subconsciously, and they find their way to the surface when we let ourselves wander freely in search of stories.

Star Trek: Discovery wrapped up its first season tonight, and afterward one of the showrunners, Aaron Harberts, said that something they are really interested in for the next year is “the collision between science and spirituality.” We’ll have a long wait to see what they do with that, but even the fact that they have it in mind feels like light-years of progress to me.

 

The idea that everything is conscious, or “panpsychism”:
https://qz.com/1184574/the-idea-that-everything-from-spoons-to-stones-are-conscious-is-gaining-academic-credibility/

Human hearts are connected to geomagnetic and solar activity:
https://www.chi.is/resource/geomagnetic/?utm_source=CHI+COMMUNITY&utm_campaign=3d22c57494-September-2017-Community&utm_medium=email&utm_term=0_a80f47d270-3d22c57494-122790253&mc_cid=3d22c57494&mc_eid=16c170fb9a

Related post: 
https://elenedom.wordpress.com/2015/04/01/vulcan-ancestry/

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Worthy to Sit at the Divine Table

Icon by Andrei Rublev, 15th century

I’m posting this on International Women’s Day, which is appropriate for reasons that will probably be clear to you.

Last time I told you about the powerful experience I had in the hospice while my mother was dying, where I felt that I was surrounded and embraced by uncountable beings who loved and supported me. This feeling of ineffable love continued as my mother stayed present with me over the next few days, and then the typical disjunctions and confusions of life took hold more again, in addition to the stresses of adjusting to her absence and dealing with the many responsibilities of her estate and planning her memorial.

We allowed nearly three weeks to prepare for the memorial service and the get-together for family and friends afterward. It was a massively busy period but also one in which I was able to contemplate important matters and to have deep discussions with friends and patients about life and death. A subject that came up was one that I’d been planning to write about anyway, the pervasive feeling of not being worthy and not deserving. It was on my mind the day of the memorial Mass, which took place on February 10, a few blocks from my house at Our Lady of the Assumption church.

I was apprehensive before the service, even felt like I was going into enemy territory. I had only met the pastor once and never heard the church’s singer before, and I had no control over the proceedings. But my family and I were welcomed warmly by the pastor and the deacon, the singer turned out to be one of the best I’d ever heard in our area, and friends gathered closely around us with great love and caring. My piano teacher played an organ piece right before the Mass, and as the last chords were sounding, the church bells began to ring with magically perfect timing.  I’m not sure if one is supposed to enjoy a funeral, but I did. It was everything it should have been, and we all felt sure it was just what my mother would like.

Some of us were feeling strongly that my mother was present and did in fact like the event. That sense of an atmosphere filled with myriad kindly beings visited me again. I had felt that in certain churches before, but for some reason I wasn’t expecting it at this one, which seemed cavernous and perhaps a little impersonal. The priest told us all, a little apologetically, that although people of different beliefs were present, we were going to hear about Jesus and get the standard Catholic experience. (Exactly as it was supposed to be.) When he said “Jesus,” I suddenly felt as if a cord flew upward from my head and connected with that loving presence.

Feeling that I was cradled in the love of my mother and the heavenly entities, I was busy communing ecstatically when I heard the words, “Lord, I am not worthy….” Wow. There it was again, stated flat out. “I am not worthy.” I am not good enough for God. I do not deserve to have the Divine be with me or within me.

And you know what? That idea rolled right past me and none of it stuck. I was completely immune to its destructive power. In every quark and photon of my being I knew that I was a child of God, a citizen of the universe, an integral and indispensable part of All That Is, however you want to put it. I was deserving of all the goodness that was pouring into me and I soaked it up joyfully and with profound gratitude and with absolutely no reservation. Not only was I worthy to receive the Divine, I was doing it right then and there and with no effort at all.

Later, as I am wont to do, I spent time rationally analyzing what had happened. I considered the fundamental contradictions embodied in “Lord, I am not worthy.” I read about the Gospel story* from which this line in the Mass was taken, and worked through a few different exegeses of it. (A nice scholarly-sounding word!) I could see where they were coming from, but I just wasn’t buying them. And this was new. Although I could still recognize my inadequacies perfectly clearly, a lifetime of existential guilt and subjugation to self-hatred had evaporated. What I knew intellectually had come to live in my heart. After years of struggle, I was at last ready for this radical acceptance.

Think about it. Even a moment of attention will show you how odd and backwards that “unworthiness” is, by doing no more than following along through basic Judaeo-Christian religious thought. God is supposed to be all-good and all-powerful, so surely God must have done a fine job at creating everything. We’re told that God looked at His creation and saw that it was good. Why, then, would human beings be total pieces of crap?

I am far from the only person to bring this up. When I was reading one of the articles on “Lord, I am not worthy,” which insisted on the truth of our not-deserving, I was pleased to see that a commenter asked, simply and directly, why we should disagree with the Creator’s opinion.

Now, suppose that God is a loving parent, as we are so often told. Imagine that you have a child, and you tell that child, “I love you, but you are really a mess, and you will never be worthy of my love no matter what you do and no matter how hard you try.” Only a twisted, psychopathic parent could say such a thing. How could an all-good God say it?

To an extent I’m oversimplifying, but this not-worthiness, this fundamental self-rejection that undermines us at a core level, is one of the most notable characteristics of mainstream religion, in our society at least.

There is another way.

The work of Fr. Richard Rohr, at the Center for Action and Contemplation here in Albuquerque, has been getting international attention. Fr. Rohr stays within the fold of Catholicism but at the same time is profoundly radical. His “Franciscan alternative orthodoxy” views our flawed humanity with great compassion, and constantly points us toward union with the divine, never into ashamed isolation.

Fr. Rohr’s recent writings have had to do with the concept of the Trinity. The idea of three-persons-in-one-God has never made sense to me, nor resonated emotionally, but he uses it to present a dynamic, moving, relational energy, a “divine dance,” rather than a static deity that doesn’t particularly interact with us or the universe. Referring to the painting shown at the top of this post, he wrote:

“In Genesis we see the divine dance in an early enigmatic story (18:1-8). ‘The Lord’ appears to Abraham as ‘three men.’ Abraham and Sarah seem to see the Holy One in the presence of these three, and they bow before them and call them ‘my lord’ (18:2-3 Jerusalem Bible). Their first instinct is one of invitation and hospitality—to create a space of food and drink for their guests. Here we have humanity feeding God; it will take a long time to turn that around in the human imagination. ‘Surely, we ourselves are not invited to this divine table,’ the hosts presume.

“This story inspired a piece of devotional religious art by iconographer Andrei Rublev in the fifteenth century: The Hospitality of Abraham, or simply The Trinity. As icons do, this painting attempts to point beyond itself, inviting a sense of both the beyond and the communion that exists in our midst….

“The icon shows the Holy One in the form of Three, eating and drinking, in infinite hospitality and utter enjoyment between themselves. If we take the depiction of God in The Trinity seriously, we have to say, ‘In the beginning was the Relationship.’ The gaze between the Three shows the deep respect between them as they all share from a common bowl. Notice the Spirit’s hand points toward the open and fourth place at the table. Is the Holy Spirit inviting, offering, and clearing space? I think so! And if so, for what, and for whom?
At the front of the table there appears to be a little rectangular hole. Most people pass right over it, but some art historians believe the remaining glue on the original icon indicates that there was perhaps once a mirror glued to the front of the table. It’s stunning when you think about it—there was room at this table for a fourth.
The observer.
You!
Yes, you—and all of creation—are invited to sit at the divine table. You are called ‘to consciously participate in the divine dance of loving and being loved,’ as Wm Paul Young, the best selling author of The Shack, writes.
The mirror seems to have been lost over the centuries, both in the icon and in our on-the-ground understanding of who God is—and, therefore, who we are too!”

In this view, we are not unworthy to receive the Divine— we are invited to sit right next to it, co-equal, at the same table. Imagine if all children were brought up this way instead of in the shadow of the Antichrist of guilt and unworthiness. The world would be transformed.

I would add one more thing: to me, the angelic figures in the painting look androgynous. The Trinity is not being shown as “three men,” but as three human beings— perhaps even three women.

Never let anyone tell you that you don’t belong at this table.

 

*The story is that of the centurion who asks Jesus to heal his servant, and trusts that he need “only say the word” and the man will be well. The centurion says that he is not worthy to have Jesus enter under his roof.

https://cac.org

http://catholicexchange.com/lord-i-am-not-worthy

http://www.fromwordstoprayers.com/2011/09/lord-i-am-not-worthy.html
‘What roof do we mean? We are temples of the Holy Spirit, and our flesh is like the “roof” of this temple. We know we are unworthy to be such temples, where God is present spiritually; we are even less worthy to receive our Lord in the Blessed Sacrament.’

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On the Nature of Persons

1/4/11

Fryderyk hadn’t been around for a couple of weeks, and I was starting to feel lonesome. I “rang his phone” a number of times during the day, and then late in the evening, while I was reading in bed, he visited.

A little while before that I had seen a video about Jay Greenberg, a young composer and pianist with near-miraculous abilities, someone it seemed Fryderyk might be able to relate to, a good topic of conversation. The boy was only 12 at the time the 60 Minutes excerpt I saw was made, but he had already written a huge amount of music, and even as prodigies go, he was positively scary. For example, at the age of 2 he’d started asking for a cello, although his parents were not musicians and he’d never been exposed to such a thing, and he started drawing wobbly staves on paper and putting notes on them. When he was given a cello, at age 3, he could play it right away.

I told Fryderyk what I had seen and asked if he had anything to say about it. Many of us see reincarnation as a likely explanation for such extreme abilities in children, and indeed, in the Leslie Flint tapes, the Chopin entity had talked about his efforts at music in other lives, and being ready to hit the ground running in the 19th century because of that preparation. Michael Tymn* favors another theory, that the spirits of deceased adults who had developed their abilities in the arts during their lives “overshadow” and take control of these children, using them to express their own work. What did Fryderyk think about that?

First, he gave me to know that I was looking at the matter from the wrong angle. This happens rather a lot– at least he no longer insists that I’m not listening to him! The idea of a person having different lives in sequence was incorrect. I don’t think of time as linear, myself, so I was fine with that. This part was fairly incoherent, with a sense of rushing energies and various ideas flying at me at once. I struggled to pin it down. “What are you?” I asked for the zillionth time. As has happened before, I saw a flame– same thing you and I are, of course. When I tried visualizing a child artist, such as himself, and asked about other spirits floating around trying to control it, I got nothing.

I was able to pick out the thought that the rushing lights and colors represented a person and its activities and creations, and that the person was an extensive being that existed in many forms and did many things at once, so to speak. He seemed to be using the term “person” (at least as I was hearing it) to mean a total entity including what we might call the Higher Self and any and all individual, earthly lives or personalities. I would be more likely to use that word to mean one of those individual personalities, myself. So I asked him to elaborate on what a person was, in his view.

This time I got words. “A person is an outpouring from God,” he told me. Along with that, I received feelings and visual flashes of a kind of river of light and fire. I still wanted to know more about how he saw the relationship between the different parts of the larger entity.

He explained, “The person is a force which pushes out in all directions, and those directions look like separate lives.” This sounded a lot like the concept described by the Seth entity years ago, in books like The Nature of Personal Reality. It also sounded so good that I wanted to be sure to remember it. I turned a light on and hunted around for my notebook and pencil, which would normally be right by my bed, but dang, I had cleaned my room and moved them. By the time I’d written the sentence down, the contact was broken. As I had feared. I wanted to ask him something about his own larger being, but there was no more communication to be had.

 

* Find his blog here, with links to his books: 
http://whitecrowbooks.com/michaeltymn/

 

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Inedia, Molecules, and What Are We Made Of?

While working on something else, I came across this page I’d written in 2008 while in the midst of taking a seminar in Richard Bartlett’s “Matrix Energetics.”  It explores some ideas I want to develop soon in these posts, so I think I’ll just submit it in its original form for the moment and whet your appetite.

Yesterday, before the intro to the Matrix seminar, I was reading an article on “breatharianism” or “inedia,” in which people go for very long periods of time without taking in physical nourishment and yet stay alive and healthy. The article, written by psychologist Jon Klimo, did not say that this is necessarily possible or true, but since there are recorded cases that are well studied and seem convincing, it asks whether there might be some kind of theoretical framework that could allow for this phenomenon. Klimo uses zero point energy, among other concepts, to offer possibilities.

(Seems like Chopin was attempting inedia at times, but I think being able to breathe well is a prerequisite if you are planning to live on air….)

I was thinking, “This sounds a lot like what we’ll be talking about in the seminar.” And right then I saw the Matrix Energetics book listed near the top of the bibliography. I’ve had the article for a couple of months, but didn’t read it till now, a time when it fits right in with the rest of what I’m thinking about. This is always happening to me. Sometimes the universe is so nice and convenient.

The inedia article, in part, concerned what humans are made of and what really happens when we take substances and energies into our bodies. This led me to ask a question I hadn’t thought about in a long time: What is Fryderyk made of? He doesn’t have molecules these days—or does he have them, but in a different form? (Just bear with me for a minute here.)

Not that we understand what molecules are made of. They certainly aren’t made of anything solid; if you cut them into smaller and smaller pieces, you find that there aren’t any pieces. There’s just something that could perhaps be called energy, though that’s not a particularly good term for it. I’m not sure what the fashionable term is for the fundamental Stuff at the moment. We could call it Qi, which would be fine with me; Oriental medicine says that everything is made of Qi, and that concept fits my experience. When I was a Rosicrucian, I learned to call it Nous. Whatever. Now we know that what we always called “vacuum” and thought was empty is actually seething with activity, serving up particles of all sorts at every instant and destroying them just as quickly, so that we don’t notice unless we look for them in the right way. “Solid” matter appears and disappears effortlessly and instantaneously, matter and energy transform into one another, and everything seems to do whatever it damn well pleases.

One of the first things Richard Bartlett told us in the seminar was, “You think you matter, but you don’t, ‘cause you aren’t!”

I always thought of Fryderyk and his ilk as being made of Qi, like the rest of us, but missing that one layer that appears to us as matter. In terms of energetic perception, a “dead” person feels very much like a “live” person to me—indistinguishable, in fact, if I am not in direct contact with the Earth-plane person’s skin or clothing.  (One of the entertaining aspects of being in a room containing 560-plus individual humans is noticing the different flavors of their personal fields—otherwise, I pretty much hate it. Some people I would like to have sitting next to me all the time, others I want to get away from as soon as possible, and most, strangely, I don’t notice at all unless I put forth some special effort. The field of the group as a whole, as you can imagine, is pretty overwhelming.)

But we don’t know what Qi is either. Some of the people writing on healing, Qi Gong, etc. talk about electromagnetic energy, but Qi can’t be electromagnetic. I wish it were, since that is something we sorta kinda understand, but it it’s not. It can’t be, because the strength of electromagnetic fields falls off rapidly with distance, but Qi can be shown to act at seemingly impossible distances. These effects are measurable. While there are models within physics that involve action at a distance, the EPR paradox and Bell’s theorem, as far as I know they do little or nothing to explain phenomena like remote healing. They also don’t explain the observed effects, also at a distance, of purely mental interventions like prayer or positive intentions. So saying that everything is made of Qi doesn’t resolve the mystery.

This matter (no pun intended) of Qi-at-a-distance is bothering me increasingly. It’s an obvious reality that can’t be avoided, yet it doesn’t fit known physical laws. Which has to mean we don’t know all the laws yet, because everything is ultimately physics. I don’t know what kind of research strategy could deal with it, and I don’t have the math(s) to even begin to think about this like a physicist might. If physicists were thinking about it, which only a few of them are willing to do. (David Bohm and Nick Herbert deserve mention.)

Metaphysics is physics too, just physics we don’t understand so well yet. I don’t think there’s really a “meta” anything, except maybe metaphor. And whatever Fryderyk is made of, it has to be physics.

One way, one fruitful way, to look at reality is that it is made up of interacting fields. Unfortunately, that is likely to bring us back to electromagnetism, but for a moment let’s postulate that everything is information. Dr. Bartlett said that we were working with fields of information, that that is what we are. Ah, I thought, Fryderyk is a field of information. I think that’s probably the closest I’ve gotten to the truth of the situation. But what is information made of? I have no idea.

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A Failed Life?

chopinmarble1

Clésinger’s bust of Chopin, done after his death

You are perfect just as you are. And you could use a little improvement.
— Shunryu Suzuki Roshi

 

It’s Fryderyk Franciszek Chopin’s birthday, a major holiday in my calendar.

A while back I was taking another look at a biography of Chopin from the 2000s, in which the author summed up her subject as “a failed life redeemed by art.”

Think about that for a moment before you read on. A failed life.

OCD-like as I am, I got stuck on that phrase. First, we should all fail so awfully as Chopin, shouldn’t we. But seriously, what would constitute a failed life? I cannot think of very many circumstances in which that could be said of someone. Even in the case of a mass murderer, there would always be the chance of redemption (and that person might have been very successful at mass murdering). The only time that I might say a life truly failed would be if it never got started— if a child died in the womb or at birth. Even then, there might have been some point to that life while it existed, in that it had effects on the lives of its parents and perhaps others.

It is worth spending some time on this issue because it seems that most people, most of the time, tend to believe that they are failing, or at least that they are not succeeding sufficiently. I often feel very much that way myself, despite recent days of great “success” in my practice and a patient calling and telling me how well he had done when I treated him. Our temporal ideas of success and failure are relative, slippery, malleable, and ultimately have little if any meaning. Better not to get overly involved with them. Let’s explore and explode some of them.

The author of the Chopin biography was comparing him to a certain type of Romantic-period literary hero. It was convenient, I suppose. We fit facts into our stories and organize them around preconceived themes all the time. The story, in this case, has to do in large part with love gone wrong. If we look at success and failure through this lens, poor Beethoven comes off even worse, and most of us would receive questionable grades. Is a person who’s been through a divorce a failure? How about a person who remains single throughout life? A celibate clergy member? This is not a very useful filter.

One might postulate that being loved in a more general sense is a sign of success in life, but then, some people who are bucking trends and rocking boats may be doing critically important work but be widely hated for it.

Financial failure, maybe? Our society certainly pays a lot of attention to that. Chopin made a lot of money for a while there, until he became too sick to work, so he’s kind of safe on that score. But we all know very well that there are both great humanitarians and total scuzzbags who have made a lot of money. Not a good measure of a life.

Reproduction, perhaps? In terms of a stripped-down view of evolutionary biology, all that matters is that you pass on copies of your genes to the next generation. Chopin didn’t manage that, but then, since he probably had a very adverse genetic disorder, that may be just as well. OK, that’s a biological fail (though descendants of his sister are around today). But this measure would mean that the Duggars are incredible successes, and your stomach is probably churning as hard as mine at that thought. Chopin’s artistic “children” are surviving quite nicely and have had many descendants of their own. Human life has far more complex effects than mere genetic replication. Passing on one’s thoughts is likely more important in the long run for humans than passing on one’s genes.

Teaching is a hugely significant way of passing on thoughts. Chopin did a great deal of that, and the community of pianists continues to learn in depth from him by playing and studying his work.

What would constitute failure for you? Whatever that is, is it a true measure, or have you received it from the world without examination? A case can be made that if you have enough to eat and a roof over your head, you have already succeeded big time in a fundamental and crucial way. If you have strong connections with other humans, you’re in even better shape.

Jim Carrey put it this way: “I’ve often said that I wish people could realize all their dreams and wealth and fame so that they can see that it’s not where you’re gonna find your sense of completion. I can tell you from experience the effect you have on others is the most valuable currency there is, because everything you gain in life will rot, and fall apart, and all that will be left of you is what was in your heart.”*

I think Suzuki Roshi nailed the truth superbly with his famous aphorism. For the essential, real, universal You, there is nothing to do, nothing to be or to become. For the everyday, changing mirage of you, there is always the potential to develop further. We can fully accept the present self while still moving toward what may turn out to be a quite different self. We aren’t finished— even at death— so we haven’t failed.

 

*http://www.higherperspectives.com/jim-carrey-speech-1468783748.html

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Review: Waking Up to the Dark

rose at Notre DameWaking Up to the Dark: Ancient Wisdom for a Sleepless Age
by Clark Strand
New York, Spiegel & Grau, 2015

In the vision exercise called palming, you attempt to see complete darkness. The idea is that when the eyes and brain are struggling to see, the muscles overwork and the optic nerve is constantly irritated, so that even with your palms blocking out all light, you see persistent flashes. It can be a challenge to relax and let the darkness happen, but when you stop trying to see, you become able to see more clearly.

What would it be like to let complete darkness happen? What would happen if we turned out all the lights? What would it be like to truly rest?

Clark Strand’s thesis is that artificial lighting is the fundamental evil behind every form of human trouble, and that before electric lights came into use, humans did truly and deeply rest, reaching a state of grace every night that we rarely if ever experience in the modern world.

I had already heard of this, that people used to go to sleep early in the evening, wake and go about quiet activities for two or three of the wee hours, then sleep till dawn. Apparently there are many written references to the “first and second sleep.” There was also a fascinating experiment, described in the book, in which subjects were kept away from all sources of artificial light for a month, and they soon developed that same pattern of sleep.

Although it is still common to wake in the middle of the night, most usually at 2 or 3 am, now people are typically held to a schedule where this becomes a vexing and draining problem, and they lie there anxiously staring at the ceiling. Strand writes that this time has been called the “Hour of the Wolf” because of that distress, but he sees it as the “Hour of God.”

Throughout his life, Strand has awakened and walked outdoors during that hour, in all settings and all weathers. Even as a child he did this, and he claims that he has never gotten into any serious trouble. He never takes a flashlight— it seems that his vision is exceptional. He experiences darkness as a friendly and nurturing presence.

I can relate to this, even though it is more natural for me to reach the Hour of God simply by staying up till then, not by waking after a period of good sleep. When I was little my mother, also a night person, taught me not to be afraid of the dark, and told me that it was comforting and peaceful. I took that feeling in early, and I still have it. I partake sometimes of that clarity that Strand talks about, where suddenly thoughts come together in a new way, answers click into place, and poetry may arise out of the depths. Of course I am often doing this in an environment that includes electric light, so it is not quite the same thing.

Lately I have been reducing the intensity of light as much as possible, though; I started that even before reading this book. One aspect of that was my purchase of a Kindle, essentially an electrically-lit book. I’d been reading e-books on my laptop, and both the heat and the light generated were irritating at night. The Kindle is much gentler that way, and besides it uses less power.  A little way into the book, which I was borrowing, I decided to buy my own copy, and perhaps ironically, I bought the Kindle version, thinking how much Strand would disapprove of this self-lighting of his book. Yet, this allowed me to nestle in my bed, wrapped securely in the dark, like a child reading with a flashlight under the covers, instead of being flooded with the light I would need to read a print book.

(It must be noted that Strand’s book, even if only in print, could not have been produced or distributed without electricity and lighting.)

As valuable as Waking Up to the Dark is, in some ways it goes seriously wrong. Strand mentions teaching his kids about our prehuman ancestors, and he has apparently read a great deal about them, but it seems to me that he has missed some important understanding. If I read him correctly, he believes that the introduction of fire into our caves was the beginning of our sense of separation from the rest of Nature, and the hubris that causes us to want and expect dominion over her. (He even states, based on someone else’s book, that fire is responsible for the fact that humans reproduce year-round. I would be extremely surprised if there were any evidence for this, especially since our close primate relatives also mate at any time of year despite an utter lack of firelight.) The use of fire far predates the existence of Homo sapiens. Can we confidently attribute a modern human imbalance to people who were a completely different species, beings we know next to nothing about? What kind of hubris would that be? Strand also seems to ignore the fact that even now, people in traditional cultures feel themselves to be part of the natural world, co-equal with other creatures, not set above them. That must have been the norm everywhere in the relatively recent past, up till no more than a few thousand years ago.

I find it a bit confusing, too, to be told first that modern electric light is the root of all evil, and then that the trouble started even with ancient firelight. Discrepancies like this may stem in part from the fact that this book is based on years of recorded experiences, during which Strand’s ideas must have evolved and shifted. Strand reports that his wife, Perdita Finn, wove the book from material in his 59 notebooks about rising to walk at night. Perhaps a few threads were crossed or twisted in the process.

The last part of the book is focused on something that, despite my not-entirely-different experiences, gave me rather a turn. I referred to Nature as “her” above for a reason: that is what Strand encountered, or rather, who. As he progressed with his exploration of the depths of night, at some point the darkness itself, the Yin principle one might say, began to visit him in the form of a beautiful young woman, three-dimensional, visible, audible, and solid to the touch. When he first saw her, her lips were sealed by a creepily evocative X of black electrical tape, which she wordlessly pleaded with him to remove. Sometimes her appearance would change. He recognized her as Mary, Isis, Sophia, Diana, the Shekinah, the Queen of Heaven, and especially the Black Madonna. In all cases, She is the personification of Earth and Nature, the Mother we all come from and who we ignore at our peril, the feminine essence that so many human societies have suppressed with desperate force.

When Strand realized it was time to understand Her destructive and terrifying aspects, he discovered an image of Kali. He describes the Hindu view of the Kali Yuga, a stage of destruction that is necessary in order for a new cycle of creation to take place. He sees this as natural and inevitable, but at the same time, he believes that we are bringing it about through our insanely imbalanced technological way of life. Turn out the lights, he says, and all will be well, because we then will understand how we should live and we will save ourselves and the earth.

But here is another source of confusion. “The night is a natural corrective to that most persistent and persuasive of all illusions: that human consciousness is the reason for the world.” (p.96) I understand what he means, but human consciousness is, at the very least, the reason for the world that we experience. There is nothing more fundamental than consciousness. Further, our consciousness is not separate from that of the planet and its other inhabitants. This is the very same interconnectedness that Strand says we will experience if we turn off the lights. Are human thoughts and activities truly in opposition to Nature and the Earth, or are they the working out of the path and destiny of the planet and actually in divine order? Complex arguments could be made about this. I tend to think that if something, anything, is happening, no matter how dire it looks, it is part of the overall Plan and would make sense if we could see the big picture.

A healer I know replied to this question by saying that Earth and its inhabitants are being hampered and interfered with by entities who benefit from our confusion and strife. A lot of people see things this way. I am much more aware of entities who do their best to help, but just because I don’t perceive a particular thing, I can’t prove that it’s not there. I do think that we are more than capable of screwing up massively on our own, even without anyone working to make it worse for us. And I have a hard time imagining anyone or anything more powerful than the Goddess herself. Even if She is only a concept, a construction of the greater Mind of humanity, as my materialist friends may postulate, She is a concept with immense energy, perhaps more than we have ever completely understood. “My body is the body of the world,” She said to Strand. “Your body is one with that body. What could there be to fear?” (p. 124)

On the more hopeful side of this idea of harmful entities, someone told me the other day that a channeler she knows had been told that as of the end of 2014, the “good guys” had removed a whole lot of those beings from our planet, and there was a big positive shift going on because of it. She used Pope Francis as an example of movement in the right direction. I don’t know— I’d like to think that’s true, but I don’t see much basis for it. Meanwhile, I await further guidance.

Which may have arrived already, two weeks ago, on the day I started writing this.

Bob decided he really needed to stop at DaVinci’s Pizza after Nia class, and I decided I really needed to work on this post, so by way of organizing my thoughts, I started to tell him about the visitations from the Blessed Mother in her many forms. I was about to open my mouth to say that Strand saw her as Mary when the sound system suddenly broke into “Silent Night,” the section that goes “round yon virgin mother and child.”

It was October 6. Everyone knows businesses don’t start playing Christmas music till Halloween! This was obviously a mistake, and was immediately replaced by some very ordinary hip-hop. Or it wasn’t a mistake at all, and it meant that She was listening.

Synchronicities have been coming thick and fast lately. I had my laptop with me, and I opened it to find an email from Steve Bhaerman, my dear old Swami, describing how he had lost his voice right at the beginning of his tour of the Southwest. He concluded that he needed to shut up and listen. “You need to listen to that still small voice inside… that’s still small, because you DON’T LISTEN. You need to stop the endless rat-a-tat-tat of thoughts, and listen to the silence.” Listen to the Silent Night. In the dark.

One might wonder where the Father and the Son in their own various guises fit in with the story— those in whose name the Mother’s lips were misguidedly taped shut. They haven’t gone away, but as Strand points out, fathers cannot produce sons without mothers, no matter how much the patriarchal religions would like to deny mothers their due. Yang cannot exist without Yin, as we all know, and there is nothing so Yang as our current America. Swami Beyondananda, who always travels with his wife, says that when a society is based only on masculine energy, we have a stag-nation, so we need the feminine energy to make a doe-nation in order to create the imagi-nation that builds the world.

When I read Strand’s chapter about the apparitions of Our Lady, as usual it was very late at night. I put down the book and turned in, and I could feel myself as partaking of that essential feminine principle, being, in myself, a source of creation. This principle lives in males as well. I’m not sure that we have to turn off the physical lights in order to find Her within ourselves and return to our Mother, whom we have never really left.

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The photo above was taken when I visited Paris in the fall of 2010.  A rose– symbol of Mary.  Growing behind the cathedral of Notre Dame– Our Lady.  In the dark.

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