Not Left or Right but Up: The “Undivine Comedy” and Our Comedy of Errors
I have been thinking so often lately of this old post. When I wrote it back in 2016, I could hardly have imagined the insanity that would befall our country in the ensuing years. But as usual, plus ça change….
The enduring, worsening division is not surprising, but I would not have expected the incredible persistence of the Big Lie or the general inability and unwillingness of so many to engage with reality. It’s far more fundamental than a simple left/right philosophical conflict, which could be dealt with by honest communication between people of good will. More and more I find myself in despair. I still have no better solution than the one outlined here: to rise above the current appearance of hopeless and eternal warfare and operate within a higher reality.
I’m reminded again, too, of the concept that our planet is going to split into two Earths, energetically speaking, with humans literally living in two different worlds— something that seems entirely too true. https://elenedom.wordpress.com/2020/10/04/sorting-medical-fact-from-fiction-part-i-the-two-earths/
“We’re often told that if we stay centered and calm, keep our minds on our spiritual values and on love rather than fear, and consume a solid information diet instead of mental junk food, we are a lot harder to manipulate.”
Some of my patients have also been talking about the necessity of connecting with a higher spirituality in order to cope with our extremely challenging time. I hope a great many people are thinking this way and that we will manage to make a meaningful shift.
The original post from August 2016:
In 1833, the young poet and playwright Zygmunt Krasiński penned Nie-Boska Komedia, the “Undivine Comedy,” which is still an icon of Polish literature. Krasiński was a one-percenter who was acutely aware that things could not go on as they were in his intensely inequitable society. In the play, the fed-up 99%, led by the charismatic but cruel and unbalanced Pankracy, rises against the ruling class. Count Henryk, a character who has much in common with the author, is the central figure on the aristocrats’ side.
An apocalyptic battle ensues, taking place in a Dantesque, fantastical setting that could not be fully realized on a physical stage at the time. Henryk and his cohorts represent a tradition that has fallen away from its noble ideals and become vain and selfish. The revolutionaries are an unsavory rabble who espouse justice and equality, but are willing to destroy everyone and everything in their way. Neither side is worthy to lead the country into the future.
In the end, the revolutionary forces win the battle, Henryk dies, and Pankracy orders the execution of the remaining aristocrats. Suddenly he is overtaken by a brilliant vision of Christ, so brilliant that it paralyzes him and blinds him to all else. In the vision, the clearly displeased Christ is leaning on his cross as if on a sword, and lightning flashes from his crown of thorns. Pankracy cries out “Galileae vicisti!” (“Galilean, you have won!”) and drops dead on the spot. The end.
When I first read a translation, many years ago, I thought it was the most facile, brainless deus ex machina ending anyone could ever have come up with. Krasiński was only 21 at the time, I thought, and he was trying to deal with hopelessly intractable social problems; he must have just thrown up his hands and walked away. I couldn’t get this crazy, surreal story out of my mind, though. Eventually it percolated through my head long enough that Krasiński’s insight got through to me.
You may have figured this out a lot faster than I did. Krasiński was saying that humans cannot mend the injustices in their world through conflict, and that no human point of view is entirely right or deserving of victory. Only a spiritual awakening can bring about the needed transformation, and that can only happen within the individual.
Well. Obviously we are not there yet. It’s going to be a while before enlightenment strikes every human heart.
Krasiński wrote in a time of fundamental dissolution and transition. Poland had been obliterated as a nation by the Russians, and many of his compatriots had emigrated to form a sort of country in exile, rather as has happened with Tibet under Chinese rule. Poland had been in shaky positions before, but now it had officially ceased to exist. It must have seemed as if nothing could ever be normal again. Yet Romantic-period sensibilities included a robust belief that a utopian world could be created (at least on a small scale), along with a willingness to imagine the wildest of possibilities. We are not there, either. We are cynical and disillusioned and far beyond the naivety of the 19th century.
Despite his pessimistic portrayal of Henryk and his followers, Krasiński held to the view that an educated, cultured elite, steeped in old-fashioned values and Christian ideals, would be best suited to run society. He was bitterly opposed to the Tsar’s regime, but also opposed to radicalism and insurgency. He distrusted the disorderly mass of the 99%, preferring at least the possibility of a redeemed 1%.
In this dark moment we have our own kind of Pankracy, an uncouth, uncontrolled pseudo-revolutionary who claims (falsely!) to be an outsider and populist, and who has already succeeded in blowing apart longstanding power structures. On the other side we have an establishment figure who embodies the American version of aristocracy. Those of us who identify with the educated and cultured elite are horrified that anyone would even momentarily choose the former. We are appalled at his utter disregard for civility and for reality itself. Like Krasiński, we would much rather have one of our own in charge, someone with solid intelligence and broad knowledge of the world. But as in his time, hallowed power structures have become calcified and disconnected from the ideals they were originally intended to serve, and we no longer trust those who have found success within them, no matter how competent they show themselves to be. So we have widespread frustration and discontent.
We find ourselves watching a drama as lurid as anything the Romantics dreamed up, rapt and hypnotized, unable to tear ourselves away. The only path out of this, I think, is not left or right but up. Awakening is the only possible solution to the national nightmare. And it is most difficult to achieve, requiring us to pull the beams from our own eyes when we would rather pay attention to the motes in the eyes of others.
May all our eyes open.
Here is a quick overview of Krasiński’s career: http://culture.pl/en/artist/zygmunt-krasinski